{"id":4863,"date":"2016-03-22T22:00:37","date_gmt":"2016-03-22T21:00:37","guid":{"rendered":"https:\/\/endretango.com\/who-was-carlos-di-sarli-and-why-did-he-wear-dark-glasses-all-the-time\/"},"modified":"2018-04-13T18:12:11","modified_gmt":"2018-04-13T16:12:11","slug":"who-was-carlos-di-sarli-and-why-did-he-wear-dark-glasses-all-the-time","status":"publish","type":"post","link":"https:\/\/endretango.com\/en\/who-was-carlos-di-sarli-and-why-did-he-wear-dark-glasses-all-the-time\/","title":{"rendered":"Who was Carlos di Sarli and why did he wear dark glasses all the time?"},"content":{"rendered":"<p>If all the songs played at tango lessons were ranked according to frequency, Carlos Di Sarli and his orchestra would surely lead the list. We use his songs very often at tango lessons and no milonga can go without\u00a0playing a tanda or two of Carlos Di Sarli &#8211; so take your time and learn about him.\u00a0Tamas Peterfalvi, a tango dancer introduces Di Sarli in the following article.<\/p>\n<h3><a href=\"https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos_di_Sarli_1969.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4694 alignleft\" src=\"https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos_di_Sarli_1969.jpg\" alt=\"Carlos_di_Sarli_1969\" width=\"328\" height=\"508\" srcset=\"https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos_di_Sarli_1969.jpg 517w, https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos_di_Sarli_1969-194x300.jpg 194w\" sizes=\"(max-width: 328px) 100vw, 328px\" \/><\/a>Carlos Di Sarli<\/h3>\n<p>He is one of the most outstanding figures in tango history &#8211; any essays and articles written on golden age tango music mention\u00a0Carlos di Sarli among the best. Just as Juan D&#8217;Arienzo was called the &#8220;king of rhythm&#8221; (el rey del comp\u00e1s), Carlos di Sarli ended up with a nickname of his own too &#8211; he was &#8220;el\u00a0se\u00f1or del tango&#8221;. This reflects the elegance of his music.<br \/>\nHe was born as Cayetano Di Sarli Rusomano \u00a0in 1903 in Bahia Blanca, 500 km from Buenos Aires. He was the 8th child of Miguel Di Sarli, an italian immigrant and Serafina Russomano the daughter of a then famous singer. Many of his siblings became famous musicians or singers and Di Sarli himself was taught music in the very same conservatory where his brother was teaching.<br \/>\nDespite of his good education and the disapproval of his parents and teachers at the age of 13 Di Sarli partnered up with dubious, no-name artists that played popular music and tango. Later he worked in a cinema &#8211; playing piano to escort silent movies. At the age of 19 he moved to Buenos Aires and played at various orchestras before he found Osvaldo Fresedo. Fresedo became his friend and idol. Later Di Sarli dedicated his song Viejo Milonguero to Fresedo.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-UCIRrGpgcU?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In 1927, at the age of 24 he started his own orchestra. The clear rhythm and the sophisticated, playful lyrics soon made his orchestra popular.<\/p>\n<h3>The story of the dark glasses<\/h3>\n<p>Di Sarli wasn&#8217;t the easiest person to get along with. His shy, reserved personality and his perfectionism was legendary. This image was half-due to and half supported by him never appearing without dark glasses. Back in his teens at Bahia Blanca he had an accident in the gun shop where his eye got injured. It was said that a shop assistant accidentally shot him while cleaning a gun. After the accident he used dark glasses to cover the bad eye.<br \/>\nDi Sarli had been playing for 3 years in Buenos Aires with his orchestra when one of the owners of the Germinal Cafe told him to stop\u00a0the stupid stardom and take those glasses off. Di Sarli got offended by this to such an extent that he turned around and didn&#8217;t stop until Bahia Blanca &#8211; out of solidarity the entire orchestra followed him. He played there and in Rosario, Santa Fe and only\u00a0returned to Buenos Aires 5 years later, in 1935&#8230;<\/p>\n<h3>Style and Di Sarli<\/h3>\n<p>His eccentricity is \u00a0perfectly described by the following story: he didn&#8217;t allow anyone to record him playing on the piano (he&#8217;d simply stop playing in such cases). Therefore we only remember his famous left-hand improvisations through word of mouth.<br \/>\nHis orchestra loved and hated him at the same time &#8211; on three occasions\u00a0his entire orchestra resigned. After such an episode, in 1956, his new orchestra members asked: &#8220;maestro, could you tell us something about the style?&#8221; to which Di Sarli simply said &#8220;gentleman, you just follow the sheets and play what&#8217;s written. The style, I make it myself&#8221; (&#8220;Ustedes toquen lo que\u00a0est\u00e1 escrito. El estilo lo hago yo.\u201d)<\/p>\n<div id=\"attachment_4702\" style=\"width: 612px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4702\" class=\"wp-image-4702 \" src=\"https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band.jpg\" alt=\"Carlos di Sarli tango band\" width=\"602\" height=\"451\" srcset=\"https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band.jpg 1440w, https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band-300x225.jpg 300w, https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band-768x576.jpg 768w, https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band-1024x768.jpg 1024w, https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band-1080x810.jpg 1080w, https:\/\/endretango.com\/wp-content\/uploads\/2016\/03\/Carlos-di-Sarli-tango-band-320x240.jpg 320w\" sizes=\"(max-width: 602px) 100vw, 602px\" \/><\/a><p id=\"caption-attachment-4702\" class=\"wp-caption-text\">source: youtube.com<\/p><\/div>\n<p>He had such a paradoxical personality that many others became superstitious about him and considered saying Di Sarli&#8217;s name aloud to bring bad luck. Even Piazzola was afraid of this superstition! Of course, Di Sarli didn&#8217;t take this too well&#8230;<\/p>\n<p>He had a terminal disease when he led his last concert on the 8th of March 1959 at the Podest\u00e1 de Lan\u00fas club\u00a0in\u00a0Buenos Airesben. The last song played was Bahia Blanca, dedicated to his hometown.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/7M44Ju5vvuU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nThese are my personal favorites:<\/p>\n<h4>Carlos di Sarli &#8211; Don Juan:<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/teZ8zyH1RBU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>Carlos di Sarli &#8211; Comme il Faut:<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-c4v0Cu6t3E?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>Carlos di Sarli &#8211; Fumando Espero:<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/iacVmCToJ8s?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nLeave a comment or keep browsing for other articles!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A large number of the most frequently played tango songs come from Carlos di Sarli and his orchestra. But who was he and what&#8217;s the story behind the glasses??<\/p>\n","protected":false},"author":2,"featured_media":4695,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[43],"tags":[67,424,455,456,457],"class_list":["post-4863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blogs-en","tag-tango-zene","tag-tango-zenekar","tag-carlos-di-sarli-en","tag-tango-music","tag-tango-orchestra","et-has-post-format-content","et_post_format-et-post-format-standard"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/posts\/4863"}],"collection":[{"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/comments?post=4863"}],"version-history":[{"count":0,"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/posts\/4863\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/media\/4695"}],"wp:attachment":[{"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/media?parent=4863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/categories?post=4863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/endretango.com\/en\/wp-json\/wp\/v2\/tags?post=4863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}